--Wanda Coleman
Poet, columnist, poet laureate nominee, spoken word artist, winner of the Lenore Marshall Poetry Prize (the first African American to receive the award), Wanda Coleman was born in Los Angeles in 1946 and has spent much of her life in Watts, known for the “riot.” She has written several books for Sparrow Press, including: “Mad Dog Black Lady,” “Bathwater Wine,” and “Mercurochrome.” Two of her more recent poetry collections are "African Sleeping Sickness" and “Ostinato Vamps,” which is with the University of Pittsburgh Press.
"The California Crack" is not about an earthquake but a woman watching a man at the end of the road, the end of despair. Note that she doesn't throw him out, although she make him sleep out on the porch once in a while. It's like she's in a relationship with walking death...But she takes her time to give us the truth, however bitter or sad that may be.
The California Crack
by Wanda Coleman
she didn't know he was so shook
it started in his system/an erratic prance
some mechanism gone wet
codeine induced cellulitis, acid trails and flashes
he had nightmares about his mother pinching him in his sleep
his youth authority internment
the scar up his ass where they removed some thing
the lesbian he loved in Yucaipa
the black bird smashed against the window
of the stolen car
he began to sweat out his nights
when he woke his long dark brown hair was plastered
to his head. he was always dripping
it got so she couldn't stand laying next to him
the stench nauseated her, caused her to vomit
sometimes she made him sleep outside on the porch
so she could get an occasional night's rest
but most times she took breath by mouth
he went to the hospital
they took tests and found nothing
he went to the police
profuse sweating was not a crime
he took daily showers
the water bill went up
the seams in his clothes began
to mold and erode
the sheets and comforter would not
wash clean
his septic sweat permeated everything
seeped down thru the mattress into
the earth beneath their bed
his dampness there was an earthquake
it measured 8.2 on the Richter scale the
bed split open the soft moist mouth of a scream and
she watched with mixed emotions as he fell thru.
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But Wanda Coleman doesn't just give it to you hard and straight. Sometimes a sun peeps through dark clouds and a hard-edged understanding shines through. In "The language beneath the language," Coleman waxes lovingly about the complexity of sensuality and love.
The Language Beneath the Language
by Wanda Coleman
under your belly
there’s gnawing in the bones
subterranean & abysmal
the bite that’s more the unsratchable/coldfire
now he penetrates me against the landscape
of my own blood and demands escape from
the rotting tongue in which he’s caged
This is the form i wear
out of my pernicious reason
and my slam-driven mind
comes the clay i shape into pleasures
for your knowing
the angles of his body
cut at my grasp-starved hands
his bone hard as young granite at my softness
the authority of his beauty demanding
the familiarity of my flesh
thus you hold me
frozen in your doubtful vision
in your study of my brownness. believe
my curious fingers. trust my
daring fingers
as they probe your opened wound
to find a roundness
5 comments:
I hated that first one. The last one
was real good.
She's the one i was talking about, daddy. I don't like poetry much. But I'm buying her book for Christmas.
I have to agree with anon1:
The first one was a bit different, the second one I am feeling,
I am feeling ok today McDaddy, although the weather outside made it near impossible to get out of bed today.
Hope all is well!
somebody: Glad you're feeling better. Remember that song by Earth, Wind & Fire, "Keep your head to the sky?"
anon1: I'm glad like one of the poems. But check her out. She's a good poet.
anon2: I didn't forget. And that would be great gift.
The first poem is gut-wrenching, and makes you feel like you're at the edge of someone's extremely bad dream, watching from the wings.
The second poem was very, very sexual.
You go daddy.
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